The Adagio begins with one of Beethoven’s most inspired cello solos and is soon given over to a tender operatic duet between the cello and clarinet.
Beginning quietly in the unexpected tonality of D-flat major (00:00), it proceeds to traverse broad harmonic terrain before a brilliant scale in the piano heralds the return to the home key (00:00). The development section is compact but dense. A witty, syncopated exchange (00:00), indebted perhaps to Haydn, signals the conclusion of the exposition. The clarinet comes to the fore to croon the sweet second theme above a restless staccato accompaniment in the cello (00:00).
#CLARINET CELLO PIANO TRIO REPERTOIRE FULL#
Following the opening declamation, stated in emphatic octaves by the full ensemble, the first theme group unfolds over a spirited exchange betweenall three instruments. At the urging of his publisher, Beethoven later prepared a version for the standard-and more salable- trio ensemble of violin, cello, and piano.)īeethoven’s exploitation of the Trio’s spectrum of timbral possibilities injects the Allegro con brio with a vitality arguably lost in the arrangement with violin. Beethoven likely intended it for the Bohemian clarinet virtuoso Joseph Beer.
(The impetus for scoring the Trio for what was, at the time, a peculiar combination of instruments remains unclear. The Trio reflects a similar aesthetic value, its conversational nature moreover enhanced by the contrasting timbres of clarinet, cello, and piano. (Like the Opus 16 Quintet, the Trio recalls a popular chamber work of Mozart’s-the “Kegelstatt” Trio for clarinet, viola, and piano.) Haydn and Mozart catalyzed the evolution of chamber music in the eighteenth century from parlor meringue to a sophisticated dialogue between distinct voices. The Trio reveals Beethoven still beholden to the Classical style inherited from Haydn and Mozart, which he would extend with his audacious later works. Though not aiming for the same weight as the more major opuses of this period, these works nevertheless betray as skilled a hand as penned the seminal Opus 18. 452) the Opus 25 Serenade for flute, violin, and viola and the popular Opus 20 Septet. 16 (modeled after Mozart’s E-flat Major Quintet, K. The Opus 11 Trio is one of several chamber works with winds that Beethoven also wrote during this time, alongside the Quintet for Piano and Winds, op. Between 17, he completed the Opus 1 Piano Trios thirteen piano sonatas, including the iconic “Pathétique” the Opus 18 String Quartets and the First Symphony, among other important works. This period produced numerous early masterpieces that established Beethoven’s reputation among the Viennese culturati. Navigation etc.(born Bonn, baptized Decemdied Vienna, March 26, 1827)Ĭomposed: 1797 Published: Vienna, 1798 Dedication: Countess Maria Wilhelmine von Thunīeethoven’s Opus 11 Trio for clarinet, cello, and piano dates from the composer’s early years in Vienna, where he had traveled in 1792 to study with Haydn. Richard Mühlfeld (clarinet), Robert Hausmann (cello), Composer (piano)Īrranged for viola, cello and piano by Brahms, 1891–92 שלישייה בלה מינור לקלרינט,פסנתר וצ'לו Klarinettentrio a-Moll Trio für Pianoforte, Clarinette (oder Bratsche) und Violoncell von Johannes Brahms Trio für Pianoforte, Clarinette und Violoncell von Johannes Brahms Clarinet Trio in A minor
114 para clarinete, violonchelo y piano Klarinettentrio Trio per a clarinet, Op.
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